With “Maestro,” Bradley Cooper tells the story of a generation-defining artistic innovator in the most traditional way possible: through the…
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During the pandemic, Baz Luhrmann decided to revisit his 2008 epic “Australia,” a film that already stressed bladders at 165…
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At first, the Japanese juvie drama “Monster” seems to be a tragedy about a troubled, maybe dangerous, pre-teen. Little things…
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RogerEbert.com publisher Chaz Ebert was among the distinguished honorees at the University of Illinois Alumni Awards Gala on October 19th…
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“Alan Wake II” is the weirdest game I’ve played in years. That’s a compliment. It’s a survival horror game that…
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Since he first arrived on the movie scene in 1978 with “Stony Island,” his charming directorial debut about a couple…
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Adam Sandler does That Voice again in the animated movie “Leo,” when bringing a slight personality to a 74-year-old class…
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Last month, RogerEbert.com Senior Editor Nick Allen moderated a panel with the directors of some of the most anticipated international films…
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“This is a true story.” This opening text, in both Joel and Ethan Coen’s Midwestern crime classic “Fargo” and the…
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Disney’s “Wish” is the most aggressive piece of Disney propaganda in years. Sure, they all are to a certain extent,…
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