A little over halfway through “Saltburn”—writer/director Emerald Fennell’s early aughts-set class study—it’s clear the jig is up. Wealthy golden boy…
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The vision is powerful and persuasive, but the contradictions on display within “Renaissance: A Film By Beyoncé” are endlessly fascinating.…
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“The Sweet East” is the kind of compelling and flawed oddity that America deserves. It’s the type of grody cinematic…
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Godzilla turns 70 next year, and to celebrate, his parent company Toho Studios waited until the end of this year…
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Joy (Max Eigenmann) is one of millions of domestic workers in the world. She’s overlooked by some employers, while others…
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Scout Tafoya’s ‘The Unloved’ is a heartfelt salvage operation into cinema’s outcasts — the forgotten glitter in neglected celluloid. A…
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When I got to Boston in the winter of 2008 for schooling, I knew almost no one. I had family…
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Everything is ugly in Eileen’s life. Her small Massachusetts town is rickety and dingy. The house where she lives with…
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“Family Switch” is a Dad Joke of a movie, genially corny but enjoying its corniness so much that it invites…
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In addition to overseeing and editing the work of others, for the past eight years, RogerEbert.com Senior Editor Nick Allen…
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