There’s a moment in “When You Finish Saving the World,” written and directed by Jesse Eisenberg (based on his 2019…
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Florian Zeller’s “The Father” was a searing portrait of a man struggling with dementia. It took us inside his increasingly…
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As our critic Monica Castillo said last week in her review of the “House Party” remake, “Nineties nostalgia is in…
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The 23rd Annual Black Reel Awards, hosted by the Foundation for the Augmentation of African-Americans in Film (FAAAF), will celebrate…
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Judging by the elated vibe in the Fairmont Century City Ballroom, where smiles and laughter prevailed, the downpour of rain…
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It’s that time again! After two years of covering the Park City event remotely via online screenings, the RogerEbert.com team…
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All children of iconic artists struggle to create their own identities, but few carried a burden as great as that…
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Gil Robertson, the President and co-founder of The African American Film Critics Association (“AAFCA”) announced the winners of the 14th annual…
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Roxanne Benjamin’s “There’s Something Wrong with the Children,” being unceremoniously dumped on digital and the newly rebranded MGM+ today, four…
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On January 2, 2022, I embarked on my second year-long binge of an artist’s work (52 weeks, 52 films). I…
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