When leaving the central core of the Berlinale press and industry section of the festival that’s primarily situated around Potsdamer…
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“Alice Doesn’t Live Here Anymore” occupies a curious spot in Martin Scorsese’s legendary filmmaking career. Sandwiched right between “Mean Streets”…
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“Your depression is mounting, the ashtray is filling because of it.Bedside bottles half-empty, the rest of it’s filling with your…
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The English language title of the oneiric Indian drama “Nanpakal Nerathu Mayakkam” is “Like an Afternoon Dream,” a poetic substitution…
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Early in “Linoleum,” a 54-year-old sad sack named Cameron (Jim Gaffigan), the host of a local TV science program, watches a red sports car fall…
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There will be Before “Cocaine Bear” and After “Cocaine Bear.” This is how we will mark time from now on…
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Christopher Landon makes wonderfully quirky horror films that defy the typical cynicism of the genre nowadays. He avoids the pretension…
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Miles Warren’s feature debut “Bruiser” feels like a notable announcement of some major talent, but I worry that it will…
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Christoph Waltz entered into a type of Faustian agreement a few years ago when he won two Oscars from two…
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The nameless narrator of Claire Keegan’s award-winning 2015 short story Foster is a little girl, living in rural Ireland, sent to…
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