March is Women’s History Month, and we are pleased to celebrate it this week at RogerEbert.com with our ninth edition of Women Writers…
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This week, all of our content on the site is written by women. We’ll update this table of contents page…
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Screenwriters are often told that female characters have to be “relatable,” a term considered less offensive than “likable” and yet somehow an…
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The visuals and score of Alex Garland’s adaptation of “Annihilation” seek to unsettle. Even five years later, the film evokes…
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Early on in writer/director Damien Chazelle’s “Babylon,” a tribute to the transitional period in Hollywood between the silent era and…
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“I was a nice boy from Detroit.” That was how Tom Sizemore described himself after he had become one of…
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I was still crying a good five minutes after finishing the first season of “Rain Dogs,” HBO’s black comedy written…
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Writer/director Alex Heller pulls off a dazzling tonal high-wire act for her directorial debut, the story of a bipolar 20-year-old…
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The ambition alone is impressive. For his directorial debut, Michael B. Jordan chose to take on “Creed III,” the latest…
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It’s only on the closing days of a new festival that things finally click into place, just in time to…
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