The English language title of the oneiric Indian drama “Nanpakal Nerathu Mayakkam” is “Like an Afternoon Dream,” a poetic substitution…
Read More →Early in “Linoleum,” a 54-year-old sad sack named Cameron (Jim Gaffigan), the host of a local TV science program, watches a red sports car fall…
Read More →There will be Before “Cocaine Bear” and After “Cocaine Bear.” This is how we will mark time from now on…
Read More →Christopher Landon makes wonderfully quirky horror films that defy the typical cynicism of the genre nowadays. He avoids the pretension…
Read More →Miles Warren’s feature debut “Bruiser” feels like a notable announcement of some major talent, but I worry that it will…
Read More →Christoph Waltz entered into a type of Faustian agreement a few years ago when he won two Oscars from two…
Read More →The nameless narrator of Claire Keegan’s award-winning 2015 short story Foster is a little girl, living in rural Ireland, sent to…
Read More →After the surrealist Luis Buñuel left for Mexico and before Pedro Almodóvar’s knowing and gorgeously kitschy post-classicism, Carlos Saura was…
Read More →Eugene Levy, the brilliant star and co-creator of “Schitt’s Creek,” has taken the money and power from that massive show…
Read More →It’s hard to believe there will be a more divisive game of 2023 than “Hogwarts Legacy,” and it’s got little…
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