While the first season of HBO’s award-winning “The White Lotus” offered a fresh spin on the “Upstairs, Downstairs” or “Gosford…
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As disorienting as it is delightful, Matthew Rankin’s “Universal Language” takes its avant-garde filmmaker’s irreverent approach to history—previously on display…
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California’s sunshiny 70-degree weather set the tone for the 30th Critics Choice Awards held February 7 at Santa Monica Airport’s…
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Excess is sorely needed in today’s cultural landscape. Maximalism in American cinema today is often regulated to a muted kind…
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I was watching a documentary the other night—I’m not going to say which one here, because it was good and…
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We’re happy to present an excerpt from Scout Tafoya’s new book on the work of Anthony Mann. The synopsis from…
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Sundance! As a creator, this iconic film festival once felt like an untouchable dream reserved for stars or those who…
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The Sundance Film Festival is at a crossroads. Within the next year, the organization may announce a new home, leaving…
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The title of Zeinabu irene Davis’s landmark independent film “Compensation” comes from Paul Laurence Dunbar’s 1906 poem of the same…
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There are problems with “A Muerte” / “Love You to Death,” Apple TV+’s new Spanish series. For one, the pilot…
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