James Mangold is no stranger to locking in on the finer rhythms of some of American music’s most indelible figures:…
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Ten years ago, in 2014, I was invited as a guest on Anna Sale’s Podcast, “Death, Sex & Money.” Still…
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Perhaps unsurprisingly for a group that self-selects for gothy wallflowers, “horror people” tend to have a bit of a persecution…
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It feels like everyone is a little frustrated by television in the 2020s. The most common complaint is that there’s…
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I started attending film awards ceremonies with my late husband Roger almost thirty-five years ago. In those early years, I…
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This review of EA’s “Dragon Age: The Veilguard” is much later than most of them for two reasons. One, it’s…
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Chaz Ebert: As Roger Ebert would have said “Two Thumbs Up” for our Top Ten Lists! For a Film Critic,…
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The Chicago Film Critics Association presented their awards last night and RaMell Ross was the big winner, taking home prizes…
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Gabriel García Márquez’s 1967 epic novel, Cien Años de Soledad (One Hundred Years of Solitude), is Latin American canon, akin…
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“Dead to Me” creator Liz Feldman has once again delivered a whip-smart and heartfelt comedy for Netflix. This time, the…
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