The eloquently composed “Our Father, the Devil,” a bleak, slow-burn character study, begins, quite literally, upon reflection. Against a window,…
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Filmed in stunning black and white, Babak Jalali’s “Fremont” is visually captivating as it renders California’s East Bay as a character of…
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Helen Mirren gets lost beneath layers of heavy prosthetics and a swirl of incessant cigarette smoke in “Golda.” Given that…
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The year 1948 marked a watershed time in cinema. Neo-realism took hold with Vittorio de Sica’s “Bicycle Thieves.” The Supreme…
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After her impressive feature debut, “Shiva Baby,” director Emma Seligman reconnects with Rachel Sennott for an unhinged comedy like few…
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This movie’s title describes a particular kind of equine gait in dressage. We get to see a version of this…
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Israeli director Guy Nattiv says that people today either have no idea who Golda Meir is or think her career…
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“Ahsoka,” the much anticipated Rosario Dawson vehicle, certainly relies on affinity to previously depicted characters to power its initial emotional arcs.…
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I urge journalists from underrepresented communities: specifically, critics and writers who identify as BIPOC, women, LGBTQ+, and/or people with disabilities to apply…
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We are pleased to offer an excerpt from the latest issue of the online magazine, Bright Wall/Dark Room. Their theme for this…
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