Richard Linklater returned to the fest circuit this year with one of his best films, the wonderfully entertaining “Hit Man,”…
Read More →Several films at this year’s festival featured women—real and fictional—who push back against expectations of what women should be while…
Read More →Alexander Payne has been accused of looking down on his characters in films like “Election,” “Citizen Ruth,” and “Nebraska.” I’ve…
Read More →There are several good starting points but little imaginative execution in “Satanic Hispanics,” a generic horror anthology whose title promises…
Read More →Colman Domingo was the center of attention at this year’s festivities. His performances in “If Beale Street Could Talk,” “Candyman,”…
Read More →There’s an interesting dynamic wherein artists are often fascinated by the lives and processes of other artists. It’s probably both…
Read More →After its splashy debut at Sundance in January led to a pricey acquisition by Netflix, Chloe Domont’s high finance romantic…
Read More →There were several coming-of-age and coming home films at this year’s festival. Both kinds of movies allow a personal story…
Read More →In the hustle and bustle of big narrative premieres, which often showcase major movie stars, documentaries can be easy to…
Read More →Hulu’s “The Other Black Girl” is initially like a fine mystery-thriller, sparingly using popular genre tropes and weaving them with…
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