The move from the broadcast networks dominating the fall calendar with new programming has been gradual, but it’s nearly complete.…
Read More →
It’s been a challenging few years for my beloved local film festival. Even before the pandemic, there were headwinds that…
Read More →
It’s interesting that Roger never reviewed the “Mortal Kombat” films, ignoring the Paul W.S. Anderson 1995 film and the dismal…
Read More →
As the strike lingers into its fifth month for writers, the networks are still bringing out shows in the can…
Read More →
With the three major fall festivals—Venice, Telluride, and Toronto—all in the books, the 2024 Oscar season is now unofficially underway.…
Read More →
“The Expendables” had a simple enough concept—gather a bunch of ’80s-era action cinema icons, including Sylvester Stallone, Arnold Schwarzenegger, Bruce…
Read More →
It begins with your standard shot, a camera tracking through a modest but deteriorated home. In the abode’s hallways are…
Read More →
2005’s “Bunty Aur Babli” (“aur” is Hindi for “and”), directed by Shaad Ali Sehgal, is a Hindi remake of a…
Read More →
We are pleased to offer an excerpt from the latest issue of the online magazine, Bright Wall/Dark Room. Their theme for this…
Read More →
Chen Kaige’s “Farewell My Concubine” was a victim of Harvey Weinstein’s notoriously artistically corrupt studio management, leading to almost 20…
Read More →