One has to admire the audacity of creators Scott Frank and Tom Fontana—imagine picking up the mantle of Sam Spade,…
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Seeing Ingmar Bergman’s “Hour of the Wolf” (“Vargtimmen”) for the first time, it felt like I’d gone rummaging around in…
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Police brutality, racism, colorism, poverty, fascism, miscarriages of justice, elder care, misogyny: Apple TV+’s newest drama “Criminal Record” leaves few…
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“The Book of Clarence,” the religious epic by multi-hyphenate talent Jeymes Samuel, is a handsomely crafted picture that simply loses…
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With its milestone tenth endeavor into television, it would appear that the stakes in a series such as “Echo” would…
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The “directorial debut of a well-regarded comic actor” subgenre can be a bit of a minefield; for every “Eighth Grade,”…
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Matt writes: Happy 2024, Ebert Club subscribers! We are kicking off the new year by sharing Chaz Ebert’s annual Seasons…
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The 2024 Golden Globe Awards were handed out last night to the following. Click through for our reviews. BEST MOTION…
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Not long after I watched Akira Kurosawa’s great film “Ikiru” for the first time (around 20 years ago), I read…
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Racing films aren’t often known for being mellow, but that’s the vibe of “Race for Glory: Audi vs. Lancia.” Somewhat loosely based on…
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